With verses decrying racism and bigotry, and calling for peace and tolerance (“With cities divided and the homeless crying/Equality for all someday”).
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Of bagpipes and Celtic flutes offers another rousing moment on the album.Įlsewhere, the slow acoustic ballad Hold On sends a message to a troubled world full of societal divisions, its hearty chorus accompanied The Tears Of Hercules’ title track, meanwhile, lends the album a touch of Broadway magic courtesy of musical composer Marc Jordan: an affecting piano-led showtune about ageing and life-long reminiscences, its swell With the woman you love, it sweeps listeners up with a buoyant key change fit for drive-time radio. A pleasant 80s-style power ballad about waking up I Can’t Imagine appears to be Stewart’s romantic tribute to his wife, Penny Lancaster. Itself along to a memorable vocal hook and a synth-based rhythm, with Stewart singing unashamedly of spontaneous lust while his raspy tones bump up against a jaunty sax. Next up, Kookooramabama gives The Beach Boys’ Kokomo a run for its money, propelling
Rex-style riff and grufflyĬelebrating the glam-rock icon’s enduring legacy (“He stood five foot four but was a giant of his generation”). Stewart has even more fun paying tribute to Marc Bolan on Born To Boogie, swaggering along confidently to a T. In the song’s delightful call-and-response refrain. Sounding more energised than he has in a long time, he even takes on a zesty cover of Soulīrothers Six’s song Some Kind Of Wonderful – perhaps better known as a 1974 hit for Grand Funk Railroad – revelling in an R&B stomper that sees him trade smoky vocals with female backing singers
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How to cha-cha while drinking piña colada”) over a cheerful mix of Spanish guitar and mariachi horns. The sunny vibe continues on the nostalgic All My Days, on which Stewart sings of escaping to a beachside shack in Mexico (“They’ll teach us Erupting with a scorching guitar solo, it’s full of wah-wah, gleeful “Arriba!”s and Latin-flavoured trumpet-toting crying out for a tropical house makeover, it wouldn’t take much With youthful vigour, Stewart tries his hand at a dance-pop banger with Gabriella, a sun-kissed ode to a summer liaison that marriesĮDM-style beats with funk-lite guitar riffs akin to the best Chic songs. It’s a bright and upbeat way to kick things off, setting the tone for an album whose prevailing mood is one of unbridled joy. Stewart wistfully reflect on reigniting his passion for an old flame (“The sex was immense, by a good old country mile”) as well as revisiting past haunts (“I’m going down to Woodstock in my beat-up Released as the album’s lead single, One More Time is an upbeat slice of folk-pop merriment aided by banjos and country fiddles. That's a tough task anyway, so let's be satisfied and perhaps even a little surprised by 45 or so minutes of solid listening, and revel in the fact that even this far down the road this The Tears of Hercules' blend and spirit certainly recalls classics suchĪs Every Picture Tells a Story and Never a Dull Moment without replacing them or necessarily offering songs that will find a place in the upper echelon of Stewart'sĬatalog. "Precious Memories" breaks the sobriety with some lighthearted doo-wop. Stewart treads, lightly, into sociopolitical terrain with "Hold On" and a cover of Johnny Cash's "These Are My People," while Stock-taking about the eternal conflict between home and wanderlust.
Penny Lancaster in "I Can't Imagine" and saluting his late father in the album-closing "Touchline." The title track, though written by Marc Jordan for his own version in 2004, is a Celtic-flavored Stewart shifts, somewhat abruptly, into sentimental territory, loving on his wife If those leave you wiping a bit of sweat off the brow, then hang on to the hanky for Hercules' second half to take care of the tears. Rex 'sīiggest hits before declaring that " when I die, I'll be rockin' up in heaven beside him." His take on Soul Brothers Six's "Some Kind of Wonderful" is faithful and buoyant, and "Born to Boogie (A Tribute to Marc Bolan )" name-checks T. That's as gleefully silly as its title suggests. He kicks up a libidinous storm in tracks such as "One More Time," "Gabriella" and "Kookooaramabama" - the latter a kind of slapdash take on George Michael's "I Want Your Sex" Coproduced and mostly cowritten with longtime band member Kevin Savigar, with a kind of sterile garage-y/GarageBand sound, Hercules ticks off most of the boxes that Stewart has made his musical stocks in trade over the course of more thanįive decades.
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